Showing posts with label Huks. Show all posts
Showing posts with label Huks. Show all posts

Wednesday, October 10, 2018

*437. PAULINE C. LIEB: Wartime Philippines’ “Joan of Arc”


LIEB AND LET DIE. Filipino-American freedom fighter, she joined the resistance movement and fought side-by-side with male soldiers. She was captured in the foothills of Montalban in 1944. 

In 1960, a Filipino-American couple moved into a quiet Angeles neighborhood, then still a town. They were seemingly an ordinary couple—Mr. Eugene Lieb, an engineer, had just accepted a job at Clark Air Base while his wife, a Manileña, appeared to be a typical mother hen to their two daughters. 

But little did their neighbors know, that the life of Pauline C. Lieb was anything but typical. For in their midst was a war heroine, whose largely forgotten role as an underground guerrilla fighter needs to be retold, for hers is a story of love, struggle and survival.

Pauline was the daughter of Paz Canovas, of Spanish-Filipino descent, and Edward Costigan, an American. Costigan had arrived in the Philippines in 1898 where he quickly found work as a manager of a cold storage facility in Manila.

Pauline was born on 6 June 1917, and grew up speaking Spanish and English in a multi-cultural household. As a young girl growing up in Manila, the pretty Pauline was squired by handsome swains, that counted the tall and handsome Lubeño, Regidor dela Rosa—who would go on to become the matinee idol, Rogelio dela Rosa. Another admirer was said to be the scion of the La Tondeña Distillery.

The onset of World War II would put on hold the lives of millions of Filipinos—and that of the Costigans would be affected most profoundly. At the height of the war years, Pauline did what she thought was right for her country and joined the underground resistance movement, prodded by Tom Myers, an American shipping magnate who organized the guerrilla group.  She took up arms, and under  Capt. Myers,  became part of the combat forces which attacked and ambushed Japanese enemy soldiers.

The Japanese military began putting the heat on the American and Filipino guerrilla fighters (Huks)  and waged campaigns to purge them out from the mountains. It was in this way that Pauline and Capt. Myers were captured in the hills of Montalban, Rizal sometime in 1944. The American was beheaded, while Pauline was whisked off and imprisoned at the Bilibid Prison in Manila. A fellow prisoner was Claire Phillips, aka Clara Fuentes, a Filipino-American spy who would write about her war experience in the book, “Manila Espionage”.  ( Her life story later was turned into a Hollywood movie entitled, “I Was an American Spy” in 1951.)

Fortunately, Pauline escaped imminent doom and was freed from incarceration with the bloody liberation of the Philippines. She was sent to the United States to recuperate, and after the dust had settled and the rebuilding of the nation went underway, the Costigans started life anew. Eventually,  Pauline found employment as a cashier at the reconstructed Manila Hotel, the country’s premiere hotel. It was here that she would meet a dashing American military personnel from Ohio, Eugene L. Lieb, who was first assigned to the Port of Manila after the war. 

After a short courtship, they got married in Catholic ceremonies in Malate and settled in the new suburb of Makati. Mr. Lieb, a civil engineer, was later tapped to head the Roads and Grounds services division at Clark Air Base in Angeles, Pampanga. This necessitated the Liebs’ move to Angeles in 1960.

Here, in a Balibago neighborhood, the Liebs would raise their two daughters: Pacita (now Vizcarra) and Mary Ann (now del Rosario), now based in the U.S.  Pauline would live a long life, passing away on 24 February 2009, at age 91 in her adopted city of Angeles. A U.S. newspaper got wind of Pauline’s wartime exploits after her death and an account of her life and times saw print on a Los Angeles daily which dubbed her as “Joan of Arc” of World War II, a fitting appellation for a freedom fighter who heeded to the calling of her inner voice-- to  put country first, before herself.

CREDITS: Photo and information provided by Mr. Benjamin Canovas, a relative of Pauline Canovas Costigan Lieb

Thursday, October 8, 2015

*389. Training To Be Red: STALIN UNIVERSITY

RED ALERT. Barrio Sinipit in Cabiao, Nueva Ecija, lies under the shadow of Mount Arayat. The strategically-located barrio was the site of an informal training school for Red cadres known as Stalin University. ca. 1959.

 Communism was a new ideology that was embraced early by the peasantry in their fight against tenant oppression. But one did not just turn red in an instant, he had to be indoctrinated in the ways of the new movement—from its fundamental beliefs and principles to its concept of resistance and armed uprising. The training school for such purpose was set up in a place aptly named Barrio Sinipit, in Cabiao Nueva Ecjia—which, in Kapampangan means “ hemmed-in, suppressed, repressed”. The school was called Stalin University—named after the Moscow-based institution founded by Communist International on 21 April 1921.

 This Kapampangan-speaking barrio, portions of which lie in the Candaba Swamp, was the perfect place for such a training school—Barrio Sinipit had always been hard-pressed from all directions, regularly raided by marauders, it houses burned and women raped. The barrio’s position and background made Sinipit the choice site for secret meetings by members and leaders of the so-called “Pambansang Kaisahang Magbubukid sa Pilipinas” (National Organization of Peasants in the Philippines).

 It was in 1936 that the PKMP established a training school for future leaders of this movement that was founded for the cause of oppressed peasants. In later years, these products of Stalin University would identify themselves as Huk guerrillas who shifted their fight from enemy invaders during the War, to abusive landlords and hacenderos. Many would also take on leading roles in the Communist Party of the Philippines and identify themselves as guerrillas of the Huk movement.

Stalin University was not a permanent building; its site was moveable and changeable—it could be under the canopy of a huge tree one day, and a ramshackle hut the next. This was so, because the instructors were the subject of manhunt by government intelligent officers. They were culled from the outside, who had knowledge of the conditions and feelings of Sinipit peasants.

 One tenant-farmer recall that “they were glib-tongue, very convincing, and they spoke of brighter things for us”. They would come with mimeographed notes and pamphlets in different languages. And they would talk of holding reprisals against abusive landlords. The Philippine Government knew of this Stalin University and it would send soldiers to swoop down on the clandestine school. But the class would always be a step ahead, moving to secret refuges in Bulacan or towards hideaways in Arayat or the swamps of Candaba.

 The Magsaysay Era ushered in a new purposeful period—to restore common people’s confidence in the government. Magsaysay sparked the revival of nationalism, and promised rural reforms. He addressed not only the issue of dissidence in the back country but also the disaffection of peasants because of grievances that remained unredressed. He established the President’s Complaint and Action Committee to look into such matters, such as the festering problem of share-cropping. Huk Chief Luis Taruc even sent a feeler to Commissioner Manahan when he heard Magsaysay’s speech about rural reforms and was curious to learn more. In time, Taruc admitted that Magsaysay’s barrio program had made the Huk struggle aimless.

 Thus, Stalin University was abandoned as the Huks took their movement to the hills, leaving Barrio Sinipit in peace once more. By 1959, the barrio was back on its feet, a thriving community blessed with rich soil and hardworking people. No many remember that not so long ago, beneath the shadow of Mount Arayat, there was a Nueva Ecija barrio where once Red cadres trained, in a school without a campus, known by the name Stalin University.

Sunday, September 19, 2010

*214. Rebel with a Cause: LUIS M. TARUC, Huk Supremo

AND JUSTICE FOR ALL. Huk Supremo Luis Taruc was a militant rebel leader who helped found the Huk movement in Central Luzon and became a leading fighter for peasant rights, agrarian and social reforms. His skirmishes with the government led to his imprisonment in the turbulent 50s.

A leading figure in the campaign for social justice, Luis Mangalus Taruc was born of peasant stock in San Luis on 21 June 1913. Just like his father before him ,he became a farmer. After high school in Tarlac, he enrolled at the University of Manila, but did not finish; he opted to become a tailor in San Miguel, Bulacan.

He was already deep into Marxism in 1935, forcing him to leave his haberdashery business to his wife so he could go full time with his pro-peasant advocacies. Influenced by Pedro Abad Santos of San Fernando, Taruc joined his Aguman ding Maldang Tala-pagobra (AMT, Union of Peasant Workers) and in 1938, the Partido Socialista. When the latter evolved into the Partido Komunista ng Pilipinas, Taruc became an officer of rank.

During the 2nd World War, Taruc, together with Casto Alejandrino, Felipa Culala (Kumander Dayang-Dayang) and Bernardo Poblete (Kumander Banal of Minalin), founded the Hukbalahap movement (Hukbong Laban sa Mga Hapon) in a barrio of Concepcion, Tarlac on 29 March 1942. He was chosen to lead a 30,000-strong guerrilla group against the Japanese invaders, with order to harass and attack them at every opportunity.

When the Philippines was liberated, Taruc and his group refused to surrender, as they were not recognized by the U.S. Army as real guerilla fighters. In 1946, he ran for a seat in Congress, which he won together with 6 other Communists. Charged with terrorism, he was unseated, fled to the mountains and vowed to defy the American-supported Roxas government.

In 1948, Tarc agreed to surrendered to then Pres. Elpidio Quirino. In return, Quirino was promised to grant amnesty to all surrendering Huks and reinstate Taruc as congressman. Talks collapsed with the government accusing the Huks of violating the terms of agreement. Once more, Taruc hied off to the mountains and continued his siege.

It was only in 1954, during the term of Ramon Magsaysay, that Taruc gave himself up to Benigno Aquino Jr., then a young reporter of the Daily Mirror and a secret government emissary to the rebel leader. Taruc was brought to Manila and was sentenced to 12 years in prison. After being denied clemency by Pres. Diosdado Macapagal, he was pardoned by Pres. Ferdinand Marcos in September 1968. Finally released, Taruc continued to work for social and agrarian reforms.

Taruc’s written works include “Born of the People” (1953) and “He Who Rides the Tiger” (1967). He passed away on 4 May 2005, of heart attack at the St. Luke’s Hospital at age 91. Attempts by several Huk veteran associations to discredit him as a Hukbalahap founder have not diminished Luis Taruc’s stature among the working peasant class, remaining an icon, or even a folk hero-- in the campaign against social injustice in the trying, turbulent 50s.

Thursday, August 14, 2008

*99. HON. PABLO ANGELES DAVID: "No Fear" Governor


FIERCE AND FEARLESS. Hon. Pablo Angeles David of Bacolor, Governor of Pampanga (2 terms 1931, 1934) and Senator of the Philippines (1947).

A distinguished son of Bacolor, Pablo Angeles David was born to Carlos de los Angeles (of Brgy., San Vicente) and Ceferina Mesina David (of brgy. San Isidro) on 17 August 1889. Early on, Pablo displayed brilliance as a juvenile student in the private school of Don Modesto Joaquin, which was considered the best “escuela “ in the province. After all, Don Modesto was a former Katipunero whose discipline was legendary, even among the Americans who feared him. When not fighting, he was tutoring students at his Spanish academy, many of whom would grow and become Pampanga’s leading lights: Justice Jose Gutierrez David, patriot Nicolas Dayrit and Benigno Aquino Sr.

After Pablo left the local school in 1901, he was sent to study at the “Liceo de Manila” and earned a Bachelor of Arts degree in 1906. He next enrolled at the country’s leading law school, “Escuela de Derecho”, and finished his Bachelor of Laws in 1909. In 1910, at age 20, he took and passed the bar examinations and placed third. He was thus the country’s youngest bar passer , but he had to wait another year to take his oath as a lawyer as he was considered underaged.

He chose to serve Pampanga, and became a justice of the peace for Sasmuan, Santa Rita and Bacolor, his hometown. He became the assistant fiscal of Pampanga from 1913-1915 and the next year, his political career began when he became a member of the Provincial Board for 3 years. In 1918, he was named as the Census Board chairman and the next year, he was elected to the House of the Representatives for Pampanga’s 1st District.

David became acting governor of Pampanga at age 27 when Don Honorio Ventura was appointed as Secretary of the Interior, being the number one board member. He was officially elected as governor in 1931 and was re-elected in 1934. After the Liberation, he re-established the provincial government, driving away the Huks who occupied the provincial capitol and took the helm of running the affairs of Pampanga, with the blessings of the national government. In 1947, he was elected as a Senator.

As a senator, Pablo Angeles David had his share of controversies with his fiery exposes. In 1950, he contested Pres. Quirino’s claim that the war on Huks has diminished, and instead charged that the perpetrators of terror were not the Hukbalahaps but government troops out for blood for the assassination of one of their commanders. David then revealed to the Senate, a massacre that took place in Bacolor involving these constabulary forces, that further infuriated the President.

Without fail and without fear, the good governor, with his wife Concepcion “Conching” Baro and his family, lived to serve his province and his country long and well, staying in Bacolor till the end of his illustrious life on 16 May 1965.

(Many thanks to Mr. Mariano Angeles y Angeles, grandson of Don Pablo Angeles David, son of his second child Atty. Ciceron Baro Angeles Sr., for providing additional information and corrections on this entry.)

Sunday, July 27, 2008

*94. HON. SOTERO J. BALUYUT: Engineer, Governor, Senator

HE LIVED TO BUILD. Hon. Sotero Baluyut led Pampanga as its Governor during the Commonwealth years, and later joined the Cabinet of Pres. Manuel L. Quezon. He was a prolific builder of roads, bridges and other infrastructures all over the country.

Sotero Baluyut was Pampanga’s most visible and progressive leader of the Commonwealth years, serving the province first as an engineer, then as a governor and senator. Born on 3 January 1889 to Leoncio Baluyut and Casimira Julao of San Fernando, Sotero overcame his humble beginnings by becoming one of the first government pensionados to the United States in 1904. He was just 15 when he left to enroll at the Santa Ana Central and High School in California and later to the University Summer Schools of Illinois.

In college, Baluyut pursued an engineering course at the University of Iowa, earning a Civil Engineering degree in 1914. After coming home from his studies, he joined the Bureau of Public Works as assistant engineer of Pampanga and Cavite in 1911. Soon, he rose to become a District Engineer, serving Isabela, Antique, Ilocos Norte, Bulacan and Pangasinan. He was named as a special engineer for the San Jose-Santa Fe Road (1912-1919) as well as for PASUDECO in 1920 (Pampanga Sugar Development Company).

With a record performance in the building of roads and infrastructure, Sotero ran for the governorship of Pampanga in 1925. He won and was, in fact, re-elected in 1927, soundly beating Pedro Abad Santos, his townmate, who founded the Socialist Party of the Philippines.

In 1931, Baluyut was elected Senator of the Third District. In 1938, he served his third and final term as Pampanga’s governor. Due to the prevalent Socialist-led agrarian unrest, Baluyut formed the Cawal ning Capayapan (Knights of Peace), composed of nonradical peasants to keep order among dissidents and strikers. The Cawals were organized because of the inadequacy of the government to maintain order.

Under Pres. Manuel L. Quezon, Baluyut served as the Secretary of Interior and, in 1941, as Secretary of Public Works. He was also at the helm of several mining companies. His affiliations included membership in the Philippine Columbian Association, Philippine Engineers and Architects and Pampanga Lodge 48 F & A.M.

Baluyut’s engineering skills gave Pampanga a historic bridge that today bears his name: the Baluyut Bridge, on Gen. Hizon Avenue, barangay Sto. Rosario. Formerly known as Puente Colgante, the Spanish era bridge was reconstructed in 1896 using iron and stone. It was damaged during the Philippine-American War and then bombed in the last World War. Using Baluyut’s design thesis completed at the University of Iowa in 1909 , the bridge was restored, becoming an attractive arch bridge made of reinforced concrete.

Baluyut was married to the former Encarnacion Lopez (b. 25 March 1901). They were childless. He died in Manila at the age of 86, on 6 January 1975.


(*NOTE: Feature titles with asterisks represent other writings of the author that appeared in other publications and are not included in the original book, "Views from the Pampang & Other Scenes")

Monday, June 16, 2008

*88.HUK ON FILMS: From Movement to the Movies


DANTE'S INFERNO. Film poster of Kumander Dante's (Bernabe Buscayno) biopic, portrayed by Phillip Salvador and filmed in 1988. Buscayno, founder of the New People's Army in 1969, was a former worker in the sugar plantations owned by the Cojuangcos. The film was directed by Ben Yalung.

The Philippine movie industry began in the early 1900s, and since then, the medium has become one of the more popular sources of entertainment for many generations of Filipinos. Early films about the Philippines were story-less, featuring scenics and events such as Fiesta de Quiapo and Panorama de Manila. Narrative films with patriotic themes like La Vida de Jose Rizal and Los Tres Martires became the vogue in the first 2 decades of the new century.

With the formalization of the studio system, the film emerged as an effective medium for storytelling, with themes that often mirrored the thoughts of the country. After World War II, the local film industry rose from the ashes quickly, with a motherlode of tales from the ruins of the war—the 1st postwar film was Manuel Conde’s Orasang Ginto (The Golden Clock) which pictured graphically the heroism and sufferings of the Filipino guerilla. The mood had shifted dramatically from innocent romance to the harsh realism of violence and criminality.

The end of the war also signaled the start of our independence, but the pervading euphoria quickly gave way to feelings of betrayal as corruption and the struggles of the social class all but erased the gains of our new independence. The Communist HUKBALAHAP (Hukbong Bayan Laban sa mga Hapon) movement had gained grounds and support—providing the film industry with more eye-opening stories to tell about the revolt of the masses. Agrarian unrest, peasants bound to the soil, the heroic lives of Huk kumanders—all these found expressions on the screen, providing the audience a real hard look into the movement and its causes, its often-bloody struggles and its larger-than-life rebel heroes.

A comprehensive list of Huk-inspired films:

BACKPAY. (1947) Plot: Post-war guerrillas, disappointed because of the non-payment of their benefits and failure of the government to implement agrarian reforms decide to join the Huk movement

MGA BUSABOS NG PALAD (1948, Slaves of Destiny). Cast: Leopoldo Salcedo, Gil de Leon, Plot: Guerrillas find themselves jobless and resort to stealing, begging and boxing.

LUPANG PANGAKO (1949, Promised Land). Cast: Leopoldo salcedo, Mila del Sol. Plot: Returning guerrillas find difficulties in adjusting to mainstream life and find unemployment.

CANDABA. (1950) Cast: Tessie Quintana, Teody Belarmino and Tony Santos. Directed by: Gregorio Fernandez. Plot: Agrarian conflict.

TIGANG NA LUPA (1950, Parched Land). Cast: Rogelio de la Rosa and Leila Moreno. Plot: Agrarian conflict.

HUK, SA BAGONG PAMUMUHAY (1953, Huks, A New Life). Cast: Jose Padilla Jr., and Celia Flor.

HUK. (1956) A U.S. made movie. Cast: George Montgomery, Mona Freeman. Plot: A plantation owner struggles to fend off native insurrectionists (the "Huks" of the title).

KUMANDER 13. (1956) Cast: Rogelio de la Rosa, Carmencita Abad.

KUMANDER ALIBASBAS. (1981) Cast: Joseph Estrada, Perla Bautista. Bipic of Cesario Manarang, Huk leader from Concepcion, Tarlac.

PEDRING TARUC. (1982) Cast: Joseph Estrada, Ronaldo Valdez. Biopic of Huk leader, Pedro Taruc. The showing of this movie was blocked by the Marcos regime, citing that no outlaw should be made into a hero for a film.

KUMANDER DANTE. (1988) Cast: Phillip Salvador. Plot: Biopic of Bernabe Buscayno, leader and founder of New People’s Army (NPA).

(*NOTE: Feature titles with asterisks represent other writings of the author that appeared in other publications and are not included in the original book, "Views from the Pampang & Other Scenes")