Tuesday, June 19, 2012

*298. DR. JULIAN D. DYCAICO: Doctor and Public Servant

THE DOCTOR IS ALSO A COUNCILOR. Dr. Julian Dayrit Dycaico, as a young medical graduate of the University of the Philippines in 1914.

During the peacetime period, Angeles was home to many prominent men in the medical profession like Drs. Conrado M. Manankil, Juan S. Tablante, Celestino L. Henson and Antonio L. Lazatin. To this list, we add the name of Dr. Julian D. Dycaico, who, not only became a noted physician, but also a government official and a school co-founder.


The multi-tasking doctor was born in Culiat on 16 October 1888, to Jose Dycaico and Rufina Dayrit. He was first schooled at the local Colegio de Ntra. Sra. Del Rosario (1896-98), then finished high school at San Fernando, Pampanga (1903-05).

Julian then hied off to Manila for his college education at the Philippine Normal School (1906-1909), before enrolling at the College of Liberal Arts of the University of the Philippines (1909-11), preparatory to his medical course at the same school.

He earned his medical degree from the U.P. College of Medicine and Surgery in 1914, and joined Philippine General Hospital as an Intern from 1914-15. He became a full-fledged medico-cirujano and started his private practice back in his hometown of Angeles, operating his clinic right in his residence. A member of good standing of the Philippine Island Medical Association, he was also accepted as a member of the American Medical Association.

 In 1919, at age 31, he married local lass Lourdes P. Gomez, daughter of Esteban Gomez with Josefa Pamintuan (Incidentally, Esteban was the eldest child of the Spanish priest, Fray Guillermo Masnou OSA with Patricia Mercado). He was ten years her senior. They had nine children: Armin Lorenzo, Adaljisa, Jovita Violeta, Jacinta Yolanda, Jose, Julian Remigio, Maria Lourdes Judith, Lazaro and Perla Epigmeña.

Julian pursued his many interests even as he became successful in his private practice; he served as a consejal municipal of Angeles town, and in 1934, joined his relative, Don Juan Nepomuceno in founding and organizing Holy Angel Academy, as its Comptroller and School Physician. He lived and worked according to his motto: “Magaral mayap at paipagal caibat” (Study hard, toil hard), for he assumed many roles in his life: doctor, husband, father, government and school official. Julian passed away on 11 March 1965, at age 77.

Tuesday, June 12, 2012

*297. UMBRELLA SEASON

 SUKLAB KA LALAM NING PAYUNG KU. A Filipina poses with her day's catch while carrying her bilao of vegetables and her umbrella, her one reliable protection from the elements. Ca. 1915.

To brave wind, sun and rain—such is the function of the umbrella—the indispensable “payong” that we bring out, most specially when the rainy season comes along. But of course, the umbrella is more than that as its long history shows—from being a mere shade and sartorial accessory to becoming a part of global pop culture. In Japan, the umbrella is known as koumorigasa, in France—a parapluie. Italians had their ‘parapioggias’ , the Dutch their ‘paraplus’ and the Portuguese toted ‘guarda-chuvas’. 

But long before them, some eleven centuries before Christ, there were the inventive Chinese who warded off the elements by mounting a sort of a pagoda on a stick. These first umbrellas were symbols of honor and prestige, and old prints show them made of embroidered silk. Athens and Rome too, had a similar adornment; poets described umbrellas being used in religious festivals, balanced by hand by priestesses.

Umbrellas were mentioned in Indian writings, and appeared as illustrations in a ancient Codex in 12th century Venice. So prized were umbrellas that Charlemagne was once gifted by the Caliph of Baghdad, Haroun al Raschid, with a fabulous umbrella of purple and gold that inspired awe and dazzled the crowd who bowed before it as if it were a precious relic.

No wonder, the umbrella formed part of the papal regalia and was used in Roman Catholic liturgy; a decorated umbrella—an ‘umbraculum’—covered and protected the Holy Eucharist in short, indoor processions. In France, they were used at the court of Henry II, and in 1650, the umbrella was recognized as a symbol of style in the country. Its manufacture, however, was restricted by a special act. The “Robinson”, which served as a portable shelter for royalty weighed more than 3 kilos and was fastened to the arm by a massive copper ring. Later versions doubled as lightning rods, making them even heavier. 

Credit goes to an unnamed mechanic from Lyons for making the first modern umbrella by replacing the whalebone ribs with hinged steel tubes. But it took an Englishman—Mr. Fox of Sheffield—to take out a patent for a similar invention which he named “Paragon”. It only weighed 400 grams and by the end of the 19th century, it was being used all over the world.

 Spaniards introduced the “paraguas’ to the Philippines, who used accessories such as wide conical hats (turung), salakots, nipa raincoats and even extra-large anahaw leaves for protection against pelting rains. The standard black umbrella came into common use by Filipinos who carried them in bright sunshine or in heavy downpours. Kapampangans, Tagalogs and even their Indonesian neighbors soon had a name for this contraption--“payung”—a shade. Down South, Muslim royalty took umbrellas and transformed them into colorful and bejeweled parasols called ‘payong-a-diyakatan’.

 The ‘payung’, like in European countries, became a status symbol for many Filipinos, and was treated as a fashion accessory. Men and women not only posed for pictures with their feathery fans and handsome walking canes but also flaunted their umbrellas, shown either open or closed. Ladies favored the Japanese paper parasols, delicately pleated and decorated with prints.

 The shape of the "payung”“ inspired names for places, plants and things. “Telapayung” is an alternative term for the almendras (walnut) tree, which sports a thick canopy of leaves that resembles an umbrella’s coverage. There is also a barrio of that name in Arayat, which was either named after the almendras or for its umbrella-like geographical silhouette. Mushrooms in Kapampangan, are called “payung-payungan” (faux umbrellas) and a smaller specie is known as “payung-payungan daguis" (mouse mushroom).

 In folklore, the ‘payung” has found its way into our riddles, and it is the answer to this cryptic puzzle: “Inyang minukyat ya ing senyora, mibukadkad ya ing sampaga” (When the señora climbed up, the flower bloomed). When Rihanna’s song “Umbrella” took the country, literally by storm, a Kapampangan version composed by Jason Paul Laxamana and sung by the girl-band Mernuts, became an instant favorite: “Ngening atiu ne ing kauran/ Pangaku e kakalinguan/ Suklab ka lalam ning payung ku/ Suklab ka lalam ning payung ku/(Yung ku yung ku eh eh eh)/ Lalam ning payung ku/ (Yung ku yung ku eh eh eh)/ Lalam ning payung ku..”

There are so many umbrella variants today, like the “Chamberlain”, with its trademark long and slender handle; the “Tom Thumb”, a small folding umbrella that can be operated by one hand. There are dome-shaped umbrellas, square umbrellas, made of plastic, nylon, oil cloth. Some outfitted with electric fans, others come with drip-dry tips. And, of course, there are fantasy umbrellas designed to double as weapons of attack and deadly espionage devices, thanks to Hollywood spy movies. But they have never ceased to retain their original purpose. Once the typhoon season sets in, it will be time to get the trusty ‘payung’ ready again and start singing in the rain!

Sunday, June 3, 2012

*296. TESSIE AGANA: Philippine Cinema’s First Child Superstar

AGANA BE A STAR! Child superstar Tessie Agana is the child of Tarlac-born doctor, Adriano Agacoili Agana and actress Linda Estrella. Her paternal grandfather, Marcelino Agana, was a former governor of Tarlac.

Before there was Vilma, Roderick, Snooky, Niño, Janice, Matet, Aiza, Serena, and now Jillian, there was the original child wonder of Philippine movies, who, with just one film, singlehandedly saved a leading production company from bankruptcy, while stealing the hearts of millions of fans with her winsome, precocious performances on the silver screen.

Maria Teresa Rigotti Agana, or Tessie Agana, born on 16 May 1942, was the child of movie star Linda Estrella (Consuelo Ver Rigotti, in real life, an Italian Filipina mestiza) and Dr. Adriano “Aning” Agcaoili Agana, a practicing obstetrician-gynecologist from Tarlac, Tarlac. Adriano’s father, lawyer Marcelino Esguerra Agana, was a former governor of Tarlac (1928-1931). Adriano and Consuelo met at a Red Cross canteen during an event at the Philippine Women’s University. The meeting was facilitated by Consuelo’s classmate, Felicidad Pineda—who was Adriano’s cousin.

After a courtship of just a year, the couple were wed on 8 June 1941. They immediately had their first child, Tessie, and a second daughter followed. Tragically, Cynthia would die from flu complications just 12 days after she was born. It was said that her doctor-father could have saved her, but much to his regret, he was away in Tarlac at that time, campaigning for his father. (The Aganas would later adopt another girl—Maria Lourdes, born in 1954).

Much love and attention was thus focused on the remaining child, Tessie. But with a famous artista for a mother, Tessie got used to the limelight very early on. At age 5, her mother was approached by the Vera-Perezes of Sampaguita Pictures to audition for the movies. As Linda was a close relative of the Vera-Perezes, she agreed to their request. Tessie impressed Dr. Jose Perez with her ability to cry on cue and soon she was cast in several movies, her first two with Pancho Magalona.

No sooner had she started when Sampaguita Pictures was razed by a fire, leaving the studio in jeopardy. But the contract stars rallied around the Vera-Perezes, offering their services for free so that the studio could be rebuilt. A serial novel written by Mars Ravelo in Tagalog Klasiks became the basis for a tearjerker movie entitled “Roberta”. Cast in the lead role was 11 year old Tessie, supported by another child actor, Boy Alano. The budget movie was megged by Director Olive De La Torre.

During the shooting of the movie, Tessie was bribed with Max’s Fried Chicken to put her in an acting mood. She did not disappoint; she memorized all her lines, cried at the drop of a hat, and stole every scene she was in. When “Roberta” was shown at the Life Theater, it became a monster hit—and the one week run was overextended, until it broke all existing box-office records. Her convincing performance as a poor, pitiful child endeared her to an audience who took her into their hearts, and catapulted her to instant stardom—the first child superstar of Philippine movies.

Sampaguita Pictures managed to get back on its feet and would eventually come out even bigger and better than it was before. In gratitude for helping save the studio, Tessie was cast in picture after picture, and soon she was being hailed as the Philippines’ own Shirley Temple. Before 1951 was over, she did three films: "Ang Prinsesa at ang Pulubi”, “Anghel ng Pag-ibig” and “Batas ng Daigdig”. The following year, she had the title role in “Rebecca”, “Munting Kerubin” and “Ulila ng Bataan”. She even did a take on Shirley’s movie, doing “Munting Koronel” (Little Colonel) in 1953.

 Like all child stars, Tessie had to go through the awkward stage. After 1954, she did just one film—“Baril o Araro?”, which had a more adult slant. In their desire to give Tessie a “normal life”, the family migrated to the United States in 1957. They quickly established themselves there; her father worked at the Johns Hopkins in Maryland while mother Linda took up a music course at the Peabody Conservatory of Music. Tessie, meanwhile, enrolled in a foreign language course and graduated from De Paul University in Indiana.

At age 18, Tessie was prevailed upon by the Vera-Perezes to return to the Philippines so she could continue her movie career that was put on hold for 3 years. Now a young adult, she appeared in the popular “Amy, Susie and Tessie” with screen stars Amalia Fuentes and Susan Roces, and “Love at First Sight” with Jose Mari Gonzales.

Eventually, the reluctant star opted to go back to the United States, where in 1962, she would meet Dr. Rodolfo L. Jao at a medical convention, who would eventually become her spouse. The Jaos would raise a big family of 9 children—all grown-ups with families of their own, and all successful in their fields: Marita, Radmar, Rodger, Roderick, Michelle, Mylene, Rodolfo Jr., Rodney and Rodell. It is interesting to note that Radmar had a brief fling with showbiz, appearing on TV (Seinfeld, Dharma and Greg, ER, Boston Commons) and movies (The Minority Report, The Phantom) before giving up everything to be a Jesuit priest.

Now settled with her husband and most of her children in Valparaiso, Indiana, Tessie Agana had long ago put her wonder years behind her. But it cannot be denied that she blazed the trail for future child stars to follow, proving that the same superstar status once reserved for leading men and ladies can also be attained through sheer talent--regardless of age.

Monday, May 28, 2012

*295. HORSING AROUND AT STOTSENBURG

A HORSE WITH NO NAME. A favorite annual activity at Camp Stotsenburg is the holding of a Sports Week or Sports Carnival, which featured  equestrian events such as polo, horseback riding and horse dressage, which includes obstacle racing such as the one shown on the photo above. ca. 1915.

Fort Stotsenburg, the precursor of Clark Air Base, started as a military camp with the size of 7,600 acres. By 1908, it had expanded to 158,277 acres, to include parts of Dolores in Mabalacat, Bamban and Zambales Mountains, including the Pinatubo area. The size and breadth of the enlarged military camp was perfect for exploration and adventure, especially on horseback. Soon, Stotsenburg became an ideal equestrian paradise, the site of many horse-based sports competition, field events and exhilarating horse rides on mountain sides and ridges, amidst wild but spectacular surroundings.

 A certain Capt. H. A. Myers was lavish in his recommendation of the camp environs, noting that “the Stotsenburg Reservation and nearby country in general, offers much that is worthwhile for persons interested in mounted activities. Not only is there much pleasure to be derived from riding over the country, but there is much beautiful scenery and many interesting landmarks to be seen”. Horse trails led to the lush and luxuriant Fern Canyon, whose main attractions are its variety of giant ferns that dot its landscape. There was also a Lost Canyon that abounded with colored birds and orchids.

Trails were fancifully named according to the natural characteristics of the terrain—Three Crater Trail, Top o’ the World Hill, Banyan Trail, Dead Horse Pass Trail and Dry River Bed Trail, among others. Soldiers and their families took to riding these trails during their off-duty hours every Wednesday, with pit stops along the way. There were waterfalls and swimming holes where people could take refreshing dips as well as good viewing spots from where one could survey the camp and the surrounding areas. But it was easy to get lost too, and there have been reported cases of missing people. In 1919 for example, 4 army men were trapped by rising waters in a narrow canyon along the Bamban River, necessitating their rescue by the daring army pilot, Lt. Ira Eaker. 

Meanwhile, equestrian field events were being introduced as early as 1909 in Stotsenburg. The most popular were the polo games, and at one point, the polo teams of the camp claimed to be the best in the Far East. During the term of post commander, Brig. Gen. Hagood Johnson, the army polo team played against the visiting Prince of Wales (the future Edward VIII) in 1922. Polo fields were laid out in the base parade grounds and regular polo tournaments were soon being held every April, during the Sports Week. Though skilled and experienced, the American team were no match against the “Los Tamaraos” (the team of Elizalde brothers), which had more superior horses that the Filipino-Spanish millionaires could very well afford.

 In the mid 20s, Stotsenburg held Sports Carnivals that included golf, ball games and riding events. The equestrian competition included dressage, horse-jumping events and bareback riding, with silver cups awarded to champion teams and individual winners. Much of the riding trails have all but been changed with the continuous alteration and modification of the camp grounds. The eruption of Mount Pinatubo obliterated not just the trails but also permanently changed the landscape of the military base. Beginning in 2009, the picnic grounds of Clark Field became alive again with the sounds of trotting horses and ponies.

Today, the spacious grounds near the Mabalacat exit gate have been transformed into a riding range, with a pseudo-main street complex that sports a wild, wild west theme complete with a salon named “El Kabayo”. Here, one can rent horses and ponies by the hour, for a leisurely ride around the picturesque grassy trail canopied by giant mimosa trees. The sight of smiling kids on ponies led by guides and more experienced riders galloping at full speed certainly brings back memories of old Clark in the 1920s and 30s, when it held repute among sports and leisure lovers as an equestrian paradise.

Sunday, May 20, 2012

*294. MATER BONI CONSILII SEMINARY


YOU MATER HERE. Seminarians of Our Lady of Good Counsel Seminary pose for their class picture. The seminary was first located in Guagua, which dates this photo to the 1950-51.

Since 1950, hundreds of boys have found and fulfilled their calling in the premiere seminary of Pampanga, Mater Boni Consilii (Mother of Good Counsel) Seminary—or simply called “Mater Boni”, presently located in San Fernando. Its history spans a little more than 5 decades, involving 3 Pampanga towns and key characters that included 3 men on the verge of priesthood and a bishop who gave the impetus for the seminary’s foundation.

It all started with a visit to the newly-named Bishop of San Fernando, Most Rev. Cesar Ma. Guerrerro D.D. by seminarians Basilio David, Eulalio Yabut, and Antonio Ibay. When asked about the planned projects for the new diocese of San Fernando, the bishop revealed his dream to build a boys’ school where subjects like Math and English could be taught—not a seminary in the strictest sense of the word. But one thing led to another, and on 4 July 1950, a building (now known as the Rufino Cardinal Santos Bldg.) in Guagua was out up to house “Mater Boni Consilii”, a boys’s school so named after the good bishop’s favorite devotion.

Mater Boni was initially conceived as an adjunct to St. Michael’s Colleges as it certainly did not function as a seminary---the handful of student enrollees there were even issued report cards from St. Michael’s. Later, it adopted the secondary curriculum of San Jose Seminary that incorporated the study of the classics and the languages like Latin and English. As its curriculum evolved, so did the school. Eventually, Mater Boni was officially transformed into a seminary manned by no less than the 3 seminarians—now ordained as priests—whose visit stirred Bishop’s Guerrero into actualizing his vision : Fr. Basilio David (Rector), Fr. Eulalio Yabut (Spiritual Director) and Fr. Antonio Ibay (Procurator).

The seminary heads expected only about 5-6 initial seminarians, but to their surprise, 38 boys enrolled. It was clear that a bigger space was needed to house the growing seminarian population. In 1951, Mater Boni Seminary was moved to Apalit , but the same problem plagued the school: lack of funds, low salary scale for teachers. Newly-ordained priests were deployed by Bishop Guerrero to mentor seminarians, a job that held very little appeal.

 It was only in 1956 that the full 4-year course was offered, but due to the inadequacy of the school, the students, in their de riguer black cassock and blue sash, never numbered more than 70. Inspite of all these, interest for the priestly vocation continue to remain high, which prompted the final relocation of the seminary to a bigger, better place in San Fernando in 1962.

The site in Del Pilar was actually part of a property owned by the Diocese of San Fernando at that time. The 10-hectare lot would come to be shared equally by Mater Boni and the Assumption College (now a University), established by Most Rev. Emilio Cinense. The seminary—which now comprises both a Minor and Major Seminary –has a number of primary edifices in its ground: a 3-storey Administrative Building, St. Aloysius Gonzaga Hall (housing classrooms, dorms, study halls and blessed by the Most Rev. Carlo Martini on 7 June 1964), and the Theology-Philosophy Building. A chapel, a library, a refectory and an auditorium complete its infrastructures.

In the course of 5 decades, Mater Boni has produced a number of Kapampangan high-ranking religious leaders that include Archbishop Paciano Aniceto D.D. of Sta. Ana, the late Bishop Jesus Galang, Bishop Roberto Mallari and Bishop Pablo Virgilio David. Through the institution’s portals also passed two Bishop Formators: Bishop Onesto Ongtiuco of Cubao and Bishop Florentino Lavarias, assigned in Zambales. Today, the seminary continues with zeal, its tradition of raising and molding young boys into well-rounded Catholic men of character--that they may be credits to God, the Church, the country and to the whole “Mater Boni” family.

Sunday, May 13, 2012

*293. A Trip To Bountiful: AT THE SARI-SARI STORE

WHAT'S IN STORE? A typical Filipino roadside sari-sari store sold basic items needed for daily living--canned goods, eggs, candies, cookies,lard,  vegetables, condiments, cigarettes and candles--in individual pieces ("tingi"), making everything easy on the budget. Ca. 1910-1915.

It’s a convenience store, a meeting place, and to a small child growing up, an accessible wonderland where candies, comics, toys and dreams could be had for a few centavos. Such is the attraction of the corner tindahan—the local sari-sari store where everything has a place, and there’s a place for everything—goods and supplies for hearth and home available cheaply, easily. Sari-sari stores began as just simple provision windows operated from thatched huts.

Soon, they became extensions of the home. Every village had not just one, but two or more stores, run by Filipino and Chinese entrepreneurs. By 1938, Filipino owned sari-sari stores outnumbered those of the Chinese, 7 to 1, but the latter’s businesses reaped more profits owing to the bigger capital they plowed into their business, which was three times more than the locals.

Just like the average Filipino store in the 60s, our neighborhood sari-sari store was a modest one--no signboard, no number—but everyone knew where it was, and called it by the owner’s name, “Mang Saning”. It is located almost at the end of our street in Sta. Ines, close to the rickety Morales Bridge, just a short walk away from our place. As kids, our daily duties consisted of running errands for Mother, which meant making short trips to Saning’s whenever she ran out of posporu (matches), sabun intsik (Chinese soap), de lata, or when she needed softdrinks to refresh visiting guests.

Upon reaching the store which was sometimes left unattended, I would tap the metal cover of the garapons (glass jars) with my peso coin and holler, “Salwan na pooooo!!” (I’m buying!) to announce my presence. I would then rattle off whatever items my Mother wanted me to buy—a can of pork and beans, gulaman bars, starch, salt, a block of Purico—and then run back home.

For dutifully answering my Mother’s “tubud” (errands), I would be rewarded with tips—ten, fifteen, twenty five centavos—which would send me back running to Saning’s. I would normally ignore the canned goods arrange in pyramids on the shelves, but would scan the jars of candies, biscuits and sweets, all lined up temptingly on the front ledge of the store. For one centavo, you can buy one Texas bubble gum, a Lemon Drop candy, or a Marca Señorita taffy. After all, sari-sari store sales are based on the concept of “tingi”—selling in pieces and parts, as opposed to wholesale, which is about the only way a daily wage earner can buy his supplies. Hence, one could buy a stick of cigarette, a “takal” of sugar or cooking oil, a stick of gum and tingting palis.

 But in the 60s, every centavo had real value. I could buy a sipa made of papel de japon and a folded paper balloon. When I went hungry, I could munch on a crispy kropek, and for a few centavos more, enjoy a belekoy (Chinese hardened jelly laced with anise seeds) and finish a stick of chewy tira-tira. I could also opt for tsampuy, Orange-Kist, Bingo, Beatles and Marie biscuits. There were also other unbranded pastries that were just as tasty—pilipit, kamatsili and nameless pink colored cookies dusted with shredded coconut.

Of course, Mother impressed upon me not to waste my money by taking chances on the “bagutan” board, where, for 5 centavos, you can pick a rolled up paper which, when opened, contained a number corresponding to a prize displayed on the board—a big balloon, a celluloid doll, a plastic gun or a brand-new peso bill wrapped in cellophane. I’m afraid I did not always listen to her, but my efforts paid off at least in one instance; I remember winning the top item on the prize board once---a large, yellow balloon as big as my head—which I carried home proudly for my siblings to show.

My siblings too made trips to Saning’s, for different reasons. My eldest sister for instance, often went there to check the komiks for “arkila” (comic books for rent) that hung from a line across the small store and secured with clothespins. She avidly followed the story series featured in such komiks as Hiwaga, Tin-Edyer Song and Shows, Aliwan, Lagim and Tagalog Klasiks. You could read the komiks right there and then—on the bangku (wooden benches) in front of the store or you could bring the komiks home for a few centavos more. My brothers brought teks (trade cards), rubber bands, cardboard masks and perminante (gunpowder sheets) for their play guns. Mang Saning was also kind enough to let us collect for free, used cigarette wrappers which we folded into paper chains, tansans and (metal soda crowns) and cartons which which came in handy for our school arts projects.

The expansion of a Chinese-owned general merchandise store near the town market stole the thunder from Saning’s, and I must admit that at one point, I patronized that store too, what with the variety of goods and assortment of choices. But service there was always impersonal—I was either ignored or made to wait for minutes. So that’s how I went back to Saning’s.

Last time I went back to the old place in Mabalacat, Mang Saning’s store is still there—in fact, it’s even undergoing a facelift. In this age of malls, the tiny store still holds fort and continues to serve the homes and residents of our once-quiet Sta. Ines street—selling practically the same basic, bountiful stuff—from cooking oil and candles, condiments and candies, beer and soda, eggs and dried fish to scrubs, brooms, headache and cold tablets. Only now, the store also sells cell phone call cards and loads, in keeping with the high-tech times. I am glad that More than just a corner stall, the sari-sari store is a monument to the plucky entrepreneurial spirit of Filipinos that has helped him to survive through good times and bad.

Monday, May 7, 2012

*292. BROTHERS AND BUDDIES

THE CASTRO BROTHERS RIDE AGAIN. Manuel Morales Castro (age 5) and elder brother Gerardo (age 7) proudly show off their pet horse.  Since childhood, my father and uncle were bosom buddies in Mabalacat-- the town where they were born and raised, settled their families until the end of their lives. Dated 1931.

This is perhaps the earliest picture of my father Gerardo and his younger brother, Manuel, together. My dad, born in 1924, was about 7 years old here, while Tatang Titong--that’s how we called our uncle--was 5.They had two other siblings--the eldest, Imang Elsie and the youngest, Tatang Matt. But it was my father and uncle who gravitated towards each other, and,  in youth and in old age, they would become an inseparable pair. More than brothers by birth, they were also tight, bosom buddies, growing up and going to school together, sharing the same dreams and eventually raising their own families while living as neighbors in Mabalacat.

My Dad was a junior—and the eldest boy in the family, so by virtue of his rank, he pretty much had his own way and got away with most of his shenanigans. He took under his wing his younger brother, who would become a sort of a disciple and sidekick. During the War years, both went to the local elementary school that was Japanese-controlled. My Dad once recounted how his brother, unable to recite properly, was slapped by his impatient Japanese teacher , sending his spectacles flying. My father was enraged, of course, but could do nothing to save his poor brother from his teacher’s torment, the one rare time he could not defend him.

It was only after class that he managed to comfort my uncle, whom he endearingly called Tits, and that incident cemented their brotherly bond even more. High school found my father enrolling at the Ateneo only to be kicked out in his second year for smoking on campus. Tatang Titong, however, would go on to pursue and finish his Fine Arts studies at the University of Sto. Tomas. I remember seeing some of the artworks my uncle created as a student: oil paintings of the Last Supper, the Virgen de Antipolo, and an escayola bust of his mother, Apung Tiri.

My uncle would retain this creative streak in later years, and I would often find him tinkering in his tool room and transforming found objects into decorative items. One time, he even created candle stands for All Saints’ Day using upturned tin saucers as bases, metal tubings as candle holders and ordinary nails as candle pricks. He became a handyman, to whom we would run to repair broken toys, med household items.

When my Dad and Tatang Titong got married, both had quite a rough start in establishing this new chapter in their lives. My Dad had it easier, as he lived in my Ingkung’s place, although at one point he drove jeepneys for a living. Tatang Titong vetoed a suggestion from his parents to go on a buy-and-sell-clothing business, preferring to be a jeepney driver instead, obviously influenced by his elder brother.

For some reason, Tatang Titong ended up running a Shell Gas Station in front of Clark Field, which proved to be a viable business. He and my aunt, Imang Toring moved to Balibago where they kept house just behind the gas station they managed. I remember my many visits to their house, getting to know my first cousins up close and personal, often playing games together, spinning records and trading comic books.

INSEPARABLE AT BIRTH. Brothers Titong and Dong, sharing a drink and having a blast in  Baguio City. Early 1970s.

The oil crisis in the 70s took a toll on the revenues of my uncle’s gas station. Instead of giving it up, my father ended up buying his business, which he operated for just under a year, before he too called it quits. Tatang Titong sold their Balibago house and relocated back to Mabalacat, to the unoccupied ancestral house of his uncle, Ingkung Pepe Morales that was just next-door to our residence. Now neighbors again, happy days were back for my dad and his favorite brother. They would do so many things together—from running their realty estate business from their office in Mabiga to going out for drinks, PX shopping and painting the town red riding their scooters.

For us, it was also a chance to get even closer with my cousins and there was not a day that we did not drop by each other’s place just to make ‘komusta’. We even attached a line of wire that ran across our two houses which, through a series of pulleys, could be used to exchange written communications with my cousins, when rains made it impossible for us to visit. I remember these years as a happy time for both our families, filled with the animated laughter of Castro kids and relatives.

Unexpectedly, all these came to a sad end when Tatang Titong suffered a stroke while riding his scooter on his way back to the office. He lapsed into a coma and passed away on 17 March 1989, just a few days before his son Ferdie’s wedding. Though my father was not a demonstrative man, I knew he felt the loss of his brother deeply, and I knew his days without him will never be the same again. After all, they were mag-“kapatad”, or ‘kaputul’—cut from the same cloth, born and grown from the same root. More than a “kadaya” (of the same blood), he was a “koyang Dong” to his “waling Tits”, a sibling relationship that had far-reaching influence in the way their lives were lived, creating a strong familial alliance that we, as an over-extended family, continue to uphold today, long after they have left this mortal world.