*344. PICTURE-PERFECT: The Kapampangan Eye Behind the Camera

CLICK NA CLICK! Ace photographer Ricardo Reyes Twaño of San Fernando, owner-manager of Twaño Studio, the capital town's leading portrait salon in the 50s.

 “Pretty as a picture!”
That’s how a person of impeccable looks is often described—no bad angles, beautiful, whether from a distance or up close. But in truth, it takes more than a pretty face to be “Miss or Mr. Photogenic”—it is oftentimes the discerning eye behind the camera that can make or break the picture-perfect shot.

Since the advent of modern photography, Kapampangans have developed an eye for this art, creating pictures that not only document and preserve the moment, but also tell stories, capture realities, instruct and inspire.

 One of the earliest Kapampangan ace photographer was the prodigious Jose Ma. Piñon whose studios churned out “carte-de-visite”—small visiting card portraits popularized by the Victorian age. Piñon also took photos of the historic events in Malolos aduring the years of the Revolution.

 In the first two decades of the 20th century, Pampanga’s most in-demand photographers were Ramon Dizon (1882-1956) and Julio Valenzuela (1883-1940), who had studios in Angeles. They did mostly portraits—from solo sittings to family and wedding entourages. They were part of  the large Nepomuceno and Henson clans (Valenzuela, by marriage to Nemesia Henson Nepomuceno)  so it was said that they never ran out of subjects to shoot!.

 In the Commonwealth years, Juan de la Cruz Studio, under the proprietorship of Rogerio Lagman, rose to national prominence after being named as the official photographer of the 1933 Pampanga Carnival and Exposition.

Salon photography was certainly elevated to high art by Pablo “Bob” Razon who established a photo shop near the Manila Grand Opera along Avenida in 1946. His first patrons were Americans and their girlfriends; they could not pronounce his nickname “Pabs”, so they called him “Bob’s”, and the rest is history. Bob photographed presidents, moguls and mavens, socialites and royalties, celebrities and scions, with a long, successful career that ended only with his death in 2013. Today, he is acknowledged as the undisputed “Dean of Philippine Portraiture”.

Less well-known, but certainly just as skilled was Ricardo Reyes Twaño (b. 1922) of San Fernando. He was trained in Manila studios where he photographed personalities from Hollywood stars (John Wayne, Cyd Charisse, Harry Belafonte), statesmen (he photographed Pres. Carlos Garcia and family) plus scores of local showbiz celebrities, from Nida Blanca to Susan Roces. He set up the Twaño Studio right next to Pampanga Hotel which enjoyed quite a large patronage, especially from students amd American servicemen.

Selegna is perhaps Angeles’ most iconic photo studio run by the Pamintuans. The "home of glamour, haven of distinction" has been in service for over 60 years; its main shop was originally located along Henson St., with a branch at Sto. Rosario St. In the 50s, it specialized in glamourized portraits, family pictures, baby portraits and class pictures, with free panchromatic make-up.  Today, Selegna continues to be favored by students for their yearbooks, debutantes, prom queens and kings as well as newlyweds.

Romeo V. Vitug of Guagua began a career in journalism as a photographer for many publications like The Sunday Times Magazine. His photos were often used as covers in the tumultuous ‘70s. From photography, he shifted to cinematography and earned awards for his work in many Philippine movie classics that include Brocka's "Tatlo, Dalawa, Isa", "Atsay", "Wanakosey", "Bituing Walang Ningning", "Pagputi na ang Uwak, Pag Itim na ang Tagak", and "Madame X".

In the 80s, the place to go for picture and video documentations was Mukha Photography. It was put up by Rolly Baron (his mother comes from Dau), who dropped out of Ateneo to pursue his love of photography. His first successful offerings were portraits in either color or black and white, mounted on boards. He branched out to event coverages—weddings, baptisms, debuts, reunions—which made Mukha Photography a national name.

Never has photography in Pampanga seen livelier times than now, with more and more Kapampangans taking up the camera in the hope of following the footsteps of Holy Angel alumni Yen Baet. Her husband started her interest in photography and she surprised everyone by winning First Prize in a contest sponsored by National Geographic. Today, she is ranked as one of the world’s top ten travel photographers.

Another award winner is Ruston Banal Jr., who placed third at the World Photography Organization’s Sony World Photography 2013 contest with his work, "Kuraldal". He describes his works as "visual anthropology", with focus on people and social atmosphere where culture and heritage revolve".

Then there’s Angeleño Jason Paul Laxamana, who made a big leap from photography to film, megging the acclaimed, “Babagwa” for the 2013 Cinemalaya Film Festival. It has since made the rounds of moviehouses worldwide.

Cameras have gone digital, making photography so simple for everyone to do—no more films, no more developing process, no more waiting—just point and shoot. What has not changed is the perceptive eye behind the camera, who sees more than a subject in front of him, but a picture-perfect story about to unfold.

*343. DAYS OF DELUGE

THE RAIN STAYS MAINLY IN THE CENTRAL PLAINS. The Philippines is a flood-prone country and not even its central plains are spared from inundation, Pampanga included. In 2013, the Provincial Disaster Risk Reduction and Management Council (PDRRMC) identified yesterday 223 barangays in 14 towns and one city of Pampanga as high-risk areas for floods.

Pampanga has a long history of flooding owing to its proximity to great rivers and waterways. Which means that every wet season, low-lying towns get submerged, precipitating calamities of unimaginable proportions. Indeed, Pampanga’s townscapes have been permanently altered through the years because of great floods. Magalang, for example was founded by Augustinians in 1605 at Macapsa. Because of the Malong uprising, it was moved to San Bartolome in 1734. But the great flood of 1863 caused by the overflow of the Parua River destroyed the town, and Magalang had to be re-established again in Barrio San Pedro in 1863.

 The location of the town of Minalin was also adjusted by the founders of the town, who had originally reserved a place called Lacmit, renamed as Santa Maria. Lumber had already been stacked to erect a church there, when flood waters overran the new town and swept away the logs to another site called Burol. There, the church was finally built to mark the new town. Because the site moved, the community was named “Minalis”, subsequently changed to “Minalin” due to a clerical error made by town head, Diego Tolentino.

 The famous Candaba Swamp located southeast of the great Pampanga River catches much of the river overflow and the flood water that comes down from western Sierra Madre. The 250 square meter basin is under water for most of the wet season (July-September), and dries up during summer.

 Floodings of the Pampanga River Basin were recorded in July 1962, May 1966, May 1976, October 1993, August 2003, August 2004, late September-October 2009, and August 2012. The catastrophic flooding that occurred in September 2011 caused by Typhoon Pedring nearly swallowed the Province of Pampanga as well as southern Bulacan.

 But in recent memory, nothing compares to the 1972 flooding that inundated almost all of Central Luzon. So extensive were the floods that they covered 14 provinces in Ilocos, Pangasinan, Central Luzon, Southern Tagalog provinces and Manila. The Pampanga River Basin and the Agno River Basin converged over Tarlac, making the Central Luzon and Pangasinan plains one whole waterworld from July to August of 1972.

 When then -President Ferdinand Marcos made a report to the nation, he announced, “For the first time, the waters of Manila bay linked up with those of Lingayen Gulf..”. Seen on the map, Central Luzon looked like it was about to be engulfed by the China Sea.

 To make matters worse, alarmists began spreading news of doom and gloom: that Laguna Lake and even Taal lake were on the verge of overflow; and that Angat and Caliraya, the fearful reported, were close to bursting.

 So devastating was the calamity that international aid poured in to help and save the people in the country’s richest agricultural region. The Philippine Marines, under the command of Col. Rudyardo Brown, were deployed to the worst-hit provinces—Pampanga and Bulacan—to distribute relief goods and assist the sick, feed the hungry and pluck the homeless, often found clinging on trees and swimming alongside floodwater debris. Schoolchildren gave part of their allowances—from 50 centavos to 1 peso—to help raise funds. Student groups volunteered to deliver relief packages in flood-stricken areas, while medical students and interns ministered to the sick.

 They say that the recent floods spawned by the monsoon and typhoons were the worst to hit the country, all wrought by global warming. That may be so, but for Kapampangans who survived and who lived through those 40 days of deluge, the great floods of Central Luzon in 1972, have no parallelm wherem as one magazine reported, “it was as if the heavens had fallen on the Philippines, and instead of fire and brimstones, came down water, water everywhere."

*342. NANCY ROMAN: Magalang’s Sweet Young Thing of the Movies

SWEETIE-SWEETIE STAR. Nancy Roman was born as Alice Hollingsworth in Magalang, daughter of American Reston and Edelina Hollingsworh (nee Indiongco). She was a staple of :The Nite Owl Dance Party" on TV, before she was discovered for the movies, where she was known for her sweet, almost pristine image.

The first time I saw Nancy Roman on screen was in the very popular movie, “Darna at Ang Babaing Tuod”. She played the role of the sweet, goody-goody Angela, rescued by Darna (Eva Montes) from her evil sister-turned tree monster, Lucy (Gina Alonso).

It was easy to figure out who was the bida and the contrabida—their names gave everything away: Angela/Angel vs. Lucy/Lucifer. All thoughout the movie, Nancy Roman looked and played her part perfectly, what with her virginal mestiza features, pure and untainted. To think she came into prominence by being a regular presence in the rowdy, teen-oriented TV music cum dance show, the Night Owl Dance Party in the mid 60s, hosted by Lito Gorospe.

 Nancy was born as Alice Hollingsworth, the daughter of American Reston Hollingworth and Edelina Indiongco of Magalang, Pampanga. Her father died young, and her mother married a second time to Crisanto Garcia, a union that resulted in four more children—a girl and 3 boys. The television industry was but a fledgling business in the 60s, but it was attracting the attention of a young audience.

Channel 11’s Nite Owl Dance Party was one such hit program that catered to the yeah-yeah generation’s interest in combo music and dance. The show’s big attraction was the search for Miss Nite Owl Dance Party and the young Alice gamely joined, in the hope of winning a prize for the family. This exposure led to her being discovered for the movies by Ben Feleo, who introduced her to the producers at Ambassador Productions.

At age 16, she was cast in her first movie, “Batangueno Brothers” as the tomboy sister of the leading lady, Chiqui Somes, who played opposite Zaldy Zshornack. Though the film was not a hit, she was noticed by producers of People’s Pictures who offered her a 5-year contract, beginning with “Ang Batikan”, where she supported Celia Rodriguez and Maggie de la Riva. Secondary roles continued for Nancy in the popular “Lagalag” movie series.

 But her biggest break was in the aforementioned classic “Darna at ang Babaing Tuod” (1964), where her screen presence was duly noted by movie fans. In her next movie, Captain Barbell, she was elevated to stardom.

 When People’s Pictures concentrated on its cinehouse business, Nancy was released from her contract and turned freelancer, allowing her to do more movies and earn more. She also tried to step out from her goody-two shoes image by appearing in other movie genres—she sang alongside another Kapampangan ingénue, Helen Gamboa, in “Yesterday”.

She also starred in the youth-oriented “Swinging Jet Age” and the action-packed “Zaragoza” were two films done for Regina Productions. In the latter film, Nancy was paired with a kabalen, Jess Lapid. She would be linked romantically with this Porac native who was, at that time, making a name for himself in local Western and action movies.

Unfortunately, Jess Lapid was killed in July 1968, and her name was dragged into the tragic incident, tainting her sweet image. It was rumoured that the upcoming action star was killed because of her. Nancy had to lie low because of the Lapid case, but remembered her co-star with fondness. “He was such a very good fellow, thoughtful and considerate”, she mused, “I am very thankful for the good deeds he did for me.There will be no other man like him”.

 Her last movies were done in 1970: Servillano Zapata and Counter Attack. After that, she faded from the limelight and moved to the U.S. Though she never achieved the heights of fame that her fellow Magaleña, Liza Lorena (Elizabeth Jolene Luciano Winsett) accomplished, Nancy's image as a young, sweet ingenue who can never do wrong, endures on screen and in countless "Darna" re-runs on television.

*341. DR. BIENVENIDO S. GONZALEZ: University of the Philippines' Two-Time Kapampangan President

DR. BIENVENIDO S. GONZALEZ: Two-Time President of the University of the Philippines from the prominent Gonzalez family of Apalit that includes Joaquin Gonzalez, Augusto Gonzalez and Bro. Andrew Gonzalez. ca. 1934.

 When Dr. Bienvenido Sioco Gonzalez assumed the presidency of our esteemed state university in 1939, he accomplished many firsts---the youngest head to be so named at just 46 years old, and the very first alumnus to do so. He made history again in 1945, when he was reappointed, making him the only president to hold two terms.

Gonzalez was born on 22 November 1893 in Apalit, Pampanga, the son of Don Joaquin Gonzalez and Dña. Florencia Sioco. His father had been the rector of the Universidad Literaria de Filipinas, a school of higher learning founded by Philippine president Emilio Aguinaldo in Malolos. He was one of the earliest graduates of agriculture at the University of the Philippines in 1913.

After his collegiate studies, he earned a scholarship at the Wisconsin State University, as one of the first batch of Filipino pensionados. There, he obtained his Master of Science in Agriculture in 1915. Gonzalez further took doctoral courses at the John Hopkins University, before returning home to the Philippines. He was immediately recruited as an Assistant Professor of Animal Husbandry at his alma mater, a post he held for 6 years. He quickly rose in rank, first promoted as a department head and later, Dean of the College of Agriculture in 1928.

Back home in Pampanga, he put his agricultural expertise to good use, becoming a sugar planter like his father before him and a businessman. He served as a member of the Board of Directors of the Pampanga Sugar Development Co., (PASUDECO).

In 1939, he broke barriers by being installed as the sixth president of the University of the Philippines, amidst opposition due to his “non-intellectual” animal husbandry background. But he rose above all these, lobbying for the opening of a College of Nursing, the founding of the UP Carillon and the use of Tagalog as a national language.

The war disrupted 6-year term and, rather than serving under the Japanese rule, he stepped down from his post, to be replaced by Antonio Sison, until the Liberation. He reassumed the Presidency in 1945 amidst the ruins and reconstruction following the War. But he forged ahead, making a very crucial decision to move major school operations from the damages Padre Faura campus to the new, but distant and empty Diliman area, a vast 493 hectare property donated by the Tuason family. He successfully obtained Php 13 million from the U.S. War damage Commission which he used to rebuild a new University of the Philippines campus.

The very vocal Gonzalez persevered and succeeded in concretizing his vision for the University despite media criticisms and differences with then Pres. Elpidio Quirino. For instance, he disapproved an honorary degree that the government want conferred on Indonesian President Sukarno. He openly welcomed Quirino’s staunchiest critic, Claro M. Recto, as a speaker at one commencement exercise. He also spurned an offer to become a Cabinet Secretary under Quirino’s administration.

As a final straw, he resigned from his post in 1951, to be succeeded by another Kapampangan, Vidal A. Tan. Gonzales was married to the former Concepcion Rafols. A daughter, Eva, followed in his footsteps by also becoming a professor at the U.P. He died on 30 December 1953.

*340. Dr. Coconut: CONRADO S. DAYRIT M.D

DOCTOR OF RESPECTED GUIDANCE. A cardiologist, pharmacologist and educator, Dr. Conrado Singian Dayrit from San Fernando, was later known to champion the health benefits of coconut, leading people to give him that monicker. His son, Manuel, became a Health Secretary during GMA's term. Ca. 1957.

 As a child, I was afflicted with all sorts of ailments of the serious kind—asthma, pneumonia, respiratory infection, and the worst of all—rheumatic heart disease. I remember missing school for weeks every year, due to my condition, and I still recall the worried looks on my parents’ faces as they shuttled me from one doctor to another. I was always on the edge every time we made those trips to Manila in the 60s because I detested being pricked by needles by nurses, and being poked by stern-faced doctors alone, in their cold examination rooms.

 One doctor stood out, however, for his warm and welcoming presence. He had an office at the new Polymedic Clinic back in the late 60s (now Dr. Victor Potenciano Polymedic Hospital), and I vividly recall our first visit there—because we had to take an elevator—my first ride ever. When I met him, he spoke to me in a calm, unhurried voice and he took his time with me, explaining the tests he would do, assuring me that the electrocardiogram session was not going to be painful at all. Most of all, he would confer with my parents in Kapampangan after, and their conversations would include a lot of family talk in between.

 I would hear later from my mother that Dr. Conrado Singian Dayrit was our Del Rosario “kamag-anak”, so that put me at ease even more. I was also told he was an accomplished doctor, one of the most capable in the country. Sure enough, over the years, I would hear more of Dr. Dayrit and his medical legacy which included being a pharmacologist, heart specialist, medical professor and naturopath.

 He was born on 31May 1919 in Manila, to parents Conrado Sr., (formerly with the Bureau of Public Instruction) and Eufronia Singian. A true-blue Atenean all throughout his elementary, high school and college days, he enrolled at the University of the Philippines and earned his medical degree in 1943. That same year, he passed the board as a topnotcher and was immediately employed as assistant professor at U.P. College of Medicine.

 In 1946, he was named International Fellow in Pharmacology by the Kellogg Foundation and stayed in the U.S. for 2 years. He took his postgraduate studies at the University of Michigan Medical School and the Cornell University Medical College.

 When he got back to the Philippines, Dr. Dayrit resumed his teaching at U.P. In 1955, he was named Officer-in-Charge of the U.P. Department of Physiology. Due to his work at the Philippine General Hospital as a physician to outpatients with cardiovascular problems, he was inspired to found the Philippine Heart Association and served as a member of its Executive Committee from 1952-1958. He has also been a member of the Asian Pacific Society of Cardiology, the Cancer Society, the Manila Medical Society.

 An tireless researcher, Dr. Dayrit has authored many scientific articles on such areas of interest as cardiology, pharmacology and medical education. He made a study on the “bangungot” phenomenon, as well as various papers on heart disease, its medical and surgical treatment as well as the pharmaco-dynamics of various drugs.

His research papers --over 70 of them--have earned for him many awards, including 1st and 2nd prizes for the 1954 and 1955 Manila Medical Society Research Award for Basic Science and Clinical Researches and Best Papers Read at the 49th Annual Meeting of the Philippine Medical Association. He was cited as “The Most Outstanding Young Man In Science” by the Sunday Times Magazine in 1955. In 1977, he was honored with a Gregorio Y. Zara Award in Applied Science by the Philippine Association for the Advancement of Science.

He held many important positions that included the presidency of the Federation of Asian Scientific Academies and Societies and of the Philippine National Academy of Science and Technology. He was named an emeritus professor of pharmacology at the University of the Philippines College of Medicine. He would also be a recipient of the Republic Cultural Heritage Award.

 Dr. Dayrit married the former Milagros A. Millar of Lucena, Quezon. They settled in San Juan and raised 5 children: Manuel, Conrado III, Antonio Fabian, Eduardo and Rafael. Eldest son, Manuel, also a doctor, became our country’s Secretary of Health from 2001-2005, under the term of Pres. Gloria Macapagal-Arroyo.

 Later in life, Dr. Dayrit championed the medicinal values of coconut and its by-product, virgin coconut oil especially on its efficacy on HIV, which started a national craze for naturopathy. Quite unexpectedly, our paths would cross again when he was invited to grace the launch of a new coconut based-cooking oil, the advertising of which I handled.

The venerable doctor, now over 80 years old, still commanded respect and awe for his profound knowledge on cardiovascular health. I shyly re-introduced myself to him in Kapampangan and namedropped my parents’ names and my Del Rosario surname, briefly recounting how I became his patient. He broke out in his trademark grin and answered back in crisp Kapampanga, “A wa, kakilala ke I Ma mu, ampo reng Del Rosario, kamag-anak mila..komusta naka?”. That acknowledgement certainly made my day.

 Dr. Conrado S. Dayrit passed away on 5 October 2007, at the very same hospital where he had his clinic for many years.

*339. EVIL DID I LIVE

ALAK,BABAE, SUGAL. A staged picture of showing the different vices of men--women, alcohol, gambling. Kapampangans had their share of woes and troubles brought about by these abominable excesses. Ca. 1920s.

Kapampangans certainly left indelible impressions on foreign observers and travellers who came to our isles in the 19th century, prompting them to write not just about their virtues, but also their vices, which paint a bi-polar picture of our character, and a culture of extremes that shaped traits and habits that lingers to this day. 

 Writer and traveller Jean Mallat, noted in his opus “The Philippines: History, Geography and Customs” that “the most estimable indios are those in the provinces of Pampanga, Cagayan, Pangasinan, Ilocos and Cebu. They are almost generous, courageous, industrious and capable. Their defects are incessant deceit, and an unbridled passion for gambling, and especially cockfights.” 

 Cockfighting or sabong had always been the traditional gambling sport of Filipinos since the 16th century. Chronicler Antonio Pigafetta wrote about the sport in his “First Voyage Around the World”, noting that the “natives keep large cocks which they never eat, but which they keep for fighting purposes. Heavy bets are made on the upshot of the contest..”. 

 So valued where the fowls that it was said that when a Filipino’s home caught fire, he rescued first, his rooster, then his wife, and children. In 1771, the arch-episcopal palace in Manila ordered the secular clergy to “strive to banish the sport of cockfighting , not sparing any effort to do this..”. Similarly, Gov. Gen. Simon de Anda attempted to ban cockfighting to avoid the upsurge of thefts and robberies—to no avail. 

 After all, by 1779, the game was contributing significantly to government revenues, with earnings of over Php 30,000, even during time of War. As such, sabong operators were given permits to operate even on Sundays. Kapampangans took to the sports like crazy, and their shady reputation as bigtime sabungeros with political clout still prevails to this day. Almost every Pampanga town have their own coliseums, but specially Guagua, Mexico, Lubao and Bacolor are considered as sabong centers of the province today. 

 After cockfighting, the colonial government added in 1849, the loteria (lottery) as an official means to keep the coffers of the government full and to keep the Filipinos hopeful for a richer life. Before that, card games were all the rage in the archipelago, that included “panguingue”, a form of rummy originally from Mexico and “monte”. Then there was the “cuajo”, which was noted to be “favorable among Pampangos”. 

 But nothing was more popular than ”jueteng”, an illegal numbers game that originated in China and which caught on in the province like wildfire. Easy to play, one need only to call on a “kubrador” discreetly as he trod the neighborhood street. One then places a bet (as low as 10 pesos) on a chosen pair of numbers from 1 to 37. 

 Pampanga has often been described as “the Vatican of jueteng”. This was spurred by a political scandal in June 2005 in which relatives of then-President Gloria Macapagal-Arroyo were suspected to have received pay-outs from jueteng operators, led by Bong Pineda of Lubao (husband of incumbent governor) and an alleged jueteng kingpin in 5 regions of the country. 

 Before the advent of San Miguel Beer and “markang demonyu”, Kapampangans in Minalin, and Sasmuan were already making native liquor of all sorts, like tuba and lambanug, all from coconut. Chinese distillers, however, proved to be master mixers, using Pampanga’s molasses from pilones. They supplied outlets with their intoxicating firewater, animating Kapampangans’ social sprees while dazing minds. In the 1930s, one can go to Salva’s Canteen in Angeles to buy all kinds of liquor, including whiskey and beer. 

 The illicit sale of liquor became widespread when the American population in Clark started to grow. A “Rum Row”existed in Clark as early as the 1930s, in which local entrepreneurs made rum for illegal sale to Americans. Homesick military men, out for a cheap, good time, took to heavy drinking, often resulting in some unfortunate accidents. For instance, on the night of January 23, 1938, five drunk officers figured in a car crash that resulted in the death of four; only the driver survived. Where wine is, a woman can’t be too far behind. 

 The lure of the flesh was another “evil” that Kapampangans find irresistible. A safe destination to meet girls in the Commonwealth years was the Amusement Palace Cabaret, operated by Juan Cortez in Angeles, which would soon be a hotspot for carnal knowledge. One of the rites of passage male teens dare to undergo is to hie off to the notorious “Area”, a place where one can have himself devirginized in a jiffy. Angeles was once described as “an amazing pattern of brothels, gin mills and dance halls” , during the heyday of Clark. 

Things appear to be unchanged if one were to believe eyewitness online accounts: ”Balibago is a non-stop drunken revel 7 days a week, every day of the year. Recreational sex is the sport of choice. If you are looking for a new friend for the night, you can almost certainly find a young lady to suit your taste..” 

 Alak, babae, sugal. For many Kapampangans, life is too short to go without a bisyu. Lead him not into temptation…he will find his way.

*338. THE RITUALS OF BIRTH

THE HAND THAT ROCKS THE CRADLE. A new mom bottlefeeds her baby, who is all swaddled in clothes, as was typical practice in the 1920s.

Birthing rituals are rooted in many cultures, and in Pampanga, there are folk beliefs and practices attendant to the delivery of a baby and his period of infancy and many more traditional customs observed in this important life event.

 An expectant mother, for example, is discouraged from eating twin bananas, as this may result in the birth of twin babies. A mother should also finish the food on her plate so that everything will come out during delivery, leaving her womb clean. If someone ate her leftovers, he will suffer bouts of sleepiness and drowsiness at work. Cutting her hair during pregnancy is not also advisable as the baby will be prone to baldness.

To avoid a difficult delivery, a pregnant woman should not have her house remodelled during her term and should avoid watching scary movies, lest her baby is aborted. Nor should she wear tight clothes so as not to deform the fetus. Participation in funeral activities is also a no-no. It is believed that both mother and child’s well being were dependent on the kinds of food she eats during her term.

To promote healthy eating, she should eat a diet of rice, monggo beans, raw eggs (for strength during labor), pigs tail ( for fetal movement) and kalamunding, a local citrus, so that her baby will have a flawless complexion. Scratchy root crops like taro or gabi should be excluded from her diet because it would cause her perineal area to itch.

 A child’s gender was determined by the way the mother looked during her pregnancy. If a mother’s tummy was set high and is pointy, the baby will be a boy. If a mother looked beautiful all throughout her term, the baby will definitely be a pretty baby girl. Pre-natal care rituals were the domain of women, and during health screenings, an infanticipating mother was often accompanied by a female family member rather than her husband. In rural areas, women turned to the local comadrona (midwife) or a female hilot to assist in the delivery.

 To ease a woman’s labor, windows and doors were flung wide open. A bath before delivery is thought to facilitate the birth of a child. In one barrio of Guagua, relatives of a woman about to give birth make noises (shouting, beating tin cans and exploding firecrackers) to help expel the baby faster. Children born on a Sunday were favored with a rich, long life. They were thought to be safe from from drowning and hanging. Those born on midnight, old folks say, will be brave, while those who come inot the world at the break of dawn will have short tempers.

 In the first few months of his life, a baby was looked after and doted on unlike any other. If a baby suffered from hiccups, a water-soaked cotton ball was placed on his fontanel to relieve him. A baby’s sneezing fit foretell the coming of rain. To keep him from harm’s way, babies are kept in the house in the belief that they are not yet fully protected. It is not good for a visiting person to praise a baby as this is thought to bring “usug” ( a spell of bad luck), making him cranky and sickly. To ward off “usug” and evil elements, a dot of red lipstick is dabbed on a baby’s forehead.

 A baby had to be baptized in the first six months of his life. In Mexico, Pampanga, the baby is brought to the church by a group of boys and girls, borne on a gareta (carabao cart), accompanied by a band. All expenses are paid for by the godparents. During the christening of a child, the godfather must give money to the “hilot”; otherwise the baby will always be afflicted with sore eyes.

 Bringing a baby into this world entails responsibilities that can often test the mettle, patience and endurance of parents. But for a Kapampangan mom, a baby is the center of her universe; fulfilment comes from raising him, nurturing him, watching him grow. It is a 24/7 role that she has come to embrace, and if there ever was a slogan to capture this unconditional maternal commitment, it’s got to be this—with apologies to Gerber’s-- “Babies are our business…our only business!”.