SO YOU THINK YOU CAN COOK? School girls learn the art of cooking and baking uisng more modern kitchen implements and gadgets, in this home economics class. 1920s
In large Philippine homes—there’s a kitchen and then, there’s a dirty kitchen. While a kitchen is where Mother displays her fine chinaware, gleaming copper pans, bowls, trays, sleek toasters and pantry cabinet, the dirty kitchen is where she and her househelps toil away in front of sooty clay stoves, enveloped by smoke, heat and odors emanating from frying pans and trash cans.
In large Philippine homes—there’s a kitchen and then, there’s a dirty kitchen. While a kitchen is where Mother displays her fine chinaware, gleaming copper pans, bowls, trays, sleek toasters and pantry cabinet, the dirty kitchen is where she and her househelps toil away in front of sooty clay stoves, enveloped by smoke, heat and odors emanating from frying pans and trash cans.
Such was
the house that I grew up in—and nowhere was it busier, smellier, more
chaotic--than in our dirty kitchen. For here, all sorts of implements, gadgets
and strange instruments abound—for cooking, broiling, boiling, grilling,
grinding—all designed to help a new homemaker become a top-rate cook.
The basic
tools of cooking rest on a narrow, sturdy table called “dalikan”, made of
bamboo or planks of wood, with the top, covered with an iron sheet. Here, one
can find kalang uling (charcoal clay stove), which rests on 3 stumpy legs (“tungku”).
Under the “dalikan”, one can find chopped firewood, used to start a fire in the
kalan, with the help of a tsupan (a metal cylinder used to blow air and stoke a
fire) and a “sipit” (a pair of thongs to move pieces of wood and charcoal
around). A charcoal-fed “pugun” or a
clay/earth oven, was permanently set in the kitchen for baking breads.
On top of
the “kalang”, one can use different pots and pans, depending on what you are
cooking. Before the advent of rice cookers, the basic “kuran” with a lid is
used to cook the perfect rice. It is also used to cook favourite viands and
soups like “adobo, tinola and sinigang”. The metal “kawali”, made of cast iron,
is ideal for frying, with the help of an all-purpose “siyansi”.
To boil
water, one uses a kettle (“tekwan”) of aluminum, copper or brass. I still have
my late Ingkung brass pan with a rounded
bottom and a wooden handle used for boiling water and eggs. He called it
“pohiya”, a term that nobody seem to use, except us! Another brass container was the tsokolatera, a small pitcher where homemade chocolate was prepared. A wooden batirul was hand-turned to whip up a frothy, hearty drink.
Those
craving for grilled foods like “ningnang babi, bangus o balasenas” had to use
a “parilya” (a gridiron of thick wire) over live embers . Basting was done
using a brush made of bamboo stick and banana leaves. Large-scale cooking once
entailed the use of steel vats—kawa—which came in extra large sizes, good
enough for a pig to fit in. I still see a few “kawas” these days—only in
landscaped gardens, where they are used for accents.
Raw
ingredients were either crushed or powdered in a stone “dikdikan” or "daldakan", which consisted of a small mortar (asung) and a pestle (alung). Ground rice was turned into sticky
galapong using a stone “gilingan”, that had a hole on top into which
rice and water was fed. A handle was turned manually around and around until
the galapong emerges from a spout and is collected for making kakanins—sampelut,
bibingka, sapin-sapin, bobotu.
Native
trivets, we call “lakal”—made of bamboo, woven to form a ring, on which a pot
can be made to rest. Placed over one’s head, the “lakal” helps an ambulant
vendor steady an “igu” or a “bitse”
(woven winnowing trays) filled with local delicacies, while she goes walking
around the neighbourhood.
Food was
served on plates (“pinggan”) made of enamelled tin or cheap ironstone imported
from England .
Special viands for a crowd of hungry guests were put in deep “pasung Intsik”,
which had the shape of flower pots, but without holes. I remember these glazed
pots which we brought out from our “lansena” for use only during fiesta time.
they were dark brown in color with a light brown band at the top, decorated
with stylized dragon designs.
To scoop
anything from a container, there’s the sanduk bican (scooper/ ladle) fashioned
from a coconut shell. When holes were drilled onto the ladle, the sanduk
becomes a “panyalak”or a sieve. Water dippers made use of almost the whole
shell, fastened to a long wooden handle. Back then, any visitor can cool his
thirst off with a free welcome drink. All he had to do was to take a water-filled dipper filled from a big clay jar
–banga--that stood in front of houses. Cockleshells were often thrown into the
banga to maintain the clarity of the water.
Other clay
jars in a household include the narrow mouthed
”oya”, “balanga” (for storing dishes), “gusi”( glazed pot with handles),
“tapayan”( a water jar outfitted with a faucet). These often were set on the
“banguerra”. Uneaten food or leftovers were stored in a paminggalan, a small pantry cabinet with slats to let air in.
Today, a wide assortment of high-tech kitchen gadgets have been invented to improve kitchen efficiency and convenience: from electric mixers, juicers, steamers to microwave ovens and grillers. But for yesteryear's homemakers, nothing beats the fruits of hard labor--whether it is turning a gilingan with sheer muscle power or pounding rice for hours--for it is believed that this is the only way that she can fully bring out life's many flavors.
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