Showing posts with label Kapampangan movie stars. Show all posts
Showing posts with label Kapampangan movie stars. Show all posts

Monday, April 17, 2017

429. KAPAMPANGANS IN HOLLYWOOD

THE KING AND HIS WIVES Rosa del Rosario portrays one of the wives of the Siamese monarch in the 1946 film, Anna and the King of Siam, portrayed by Rex Harrison. Looking on is another "wife", Evelyne de Luzuriaga.

In the 1920s, Hollywood beckoned with promises of stardom, fame and fortune to aspiring performers and actors, budding ingénues, ambitious directors and starving artists. Indeed, of the thousands who swarmed to Tinseltown to audition and answer casting calls, many were rewarded with film roles, and turning an elite few into international celebrities.

The first wave of Filipinos to arrive in Los Angeles coincided with the rise of Hollywood. They, too, were lured with the prospects of employment that the blossoming film industry offered. In 1929, Metro-Goldwin Mayer sounded out a casting call for extras for the movie “The Pagan”. Hordes of Filipinos went to audition, and many passed the 5 foot height limit set for these extras. For decades—in movies like “She” (1935, starring Randolph Scott, RKO Radio Pictures) and “The Real Glory” (1939, a Spanish-American War film starring Gary Cooper ), Filipinos were often cast in savage native-type and service-type roles, uncredited and underpaid. They would find more job security in the periphery of Hollywood as waiters, busboys, bartenders, cooks, chauffeurs and househelps.

Filipino star-wannabes would wait for the postwar 1940s before they could see one of their own claim a legitimate acting role in a Hollywood film. Kapampangan Rosa del Rosario (aka Rosa Stagner), an American-Filipina mestiza from Bacolor, was already an established star in pre-war Philippine movies when she, on a visit to the U.S., caught the eye of an American director who was casting Asians for his  movie. She won the role as one of the king’s 14 wives in the film classic, “Anna and the King of Siam” in 1946 (to be redone as the musical “The King and I” in 1954). She was unbilled, however, in this Rex Harrison starrer.  That same year, she  appeared as Celia in the “The Border Bandits”, opposite Johnny Mack Brown and in “An American Guerrilla in the Philippines”.

More than a decade later, another artist with roots in Lubao would carve her own niche in Hollywood: Ruby Neilam Salvador Arrastia aka Neile Adams, actress-singer-dancer and wife of 60s hottest Hollywood male star, Steve McQueen. She moved to the U.S. after the war where she took dancing lessons. The pert and pretty Neile found herself being cast in shows and musicals, and one of her early appearances was in “Pajama Game”, staged at the Carnegie Hall. She moved on to TV and films,  with credits in the 1952 movie, “Grubstake” and as Patsy St. Claire in “This Could Be The Night” (1957). Husband and wife appeared in a memorable episode in “Alfred Hitchcock Presents”. Separately, Neile had a recurring role in the TV series “Five Fingers” as Rita Juan in 1960, and went on to guest star in top TV shows thrugh the 60s,70s and 80s, like “The Man from U.N.C.L.E.”, “Love American Style”, “Bob Hope Show”. “The Bionic Woman”, “ The Rockford Files”, “Fantasy Island”, “Vega$” and “Hotel”. In 1986, she wrote “My Husband, My Friend”, a biography of her husband Steve, who had died of cancer in 1980. Coincidentally, Neile’s son (Chad McQueen) and grandson, Steven R. McQueen (Jeremy Gilbert in “The Vampire Diaries”), are both actors. A nephew, Enrique Iglesias, is a singer and an occasional actor.

Before being known as an international jetsetter, Angeles-born Minda Feliciano flirted with modeling and acting. In the U.S., she started auditioning for acting roles and, in 1959, won a regular slot (she played the hula-dancing receptionist, Evelyn) in the popular TV series,”Hawaiian Eye”, produced by Warner Brothers. Today, she is also well-known as Michael Caine’s-ex.

The toast of West End and Broadway, Lea Salonga, has also penetrated the U.S. showbiz industry, both as actress and singer. While still with the hit musical ‘Miss Saigon’ . she was tapped to sing key songs for such movies as “Aladdin” (1992) and  “Mulan” I and II ( 1998, 2004). She had a once-in-a lifetime experience of singing “A Whole New World” at the 1993 Oscar Awards, which went on to win Best Song. Leas was also seen on a 1995 TV film produced by Hallmark Hall of Fame, “Redwood Curtain”. The film chronicles the search of an Amerasian piano prodigy for her biological father, aVietnam veteran. Other credits include guest appearances in hit TV series “ER” , “As The World Turns” and most recently, in “Crazy Ex-Girlfriend”.

Young Ethan Dizon, whose father, Eric Dizon,  traces his ancestry to the Dizons of Mabalacat, made his acting debut as a 3 year-old child actor in the CBS hit series, “How I Met Your Mother”, He then had guest roles in  “Grey's Anatomy”, and “'Til Death”. His film credits include: “Get A Job”, “Bad Words” ( with Jason Bateman), and the “The Inevitable Defeat of Mister and Pete”, where he is best-known for playing Pete.  In 2017, he will be seen in “Spiderman: Homecoming”. A gifted artist, he was nominated for Best Actor at the NBCU Short Film Festival 2014 in "Paulie", where he played the title role.

Rico Hizon made a name for himself as an international journalist, but his credentials now include acting in a Hollywood film. In the 2016 film“I.T.” topbilled by Pierce Brosnan, the BBC correspondent portrayed himself in this nail-biting thriller directed by John Moore. Rico Hizon’s mother, Leonor Morales, is from Mabalacat.

Behind the camera, Kapampangans have also left their mark in the American entertainment industry. Leading the way is the venerable Gorge Sunga, who first joined CBS as a production supervisor of “The Judy Garland Show” in 1963, and later, “The Smothers Brothers Comedy Hour”. He went on to produce the hit TV shows  "Good Times," (1974)  "The Jeffersons," (1975) ,  “All in the Family” (1974)  “Three’s Company” (1976) and many other successful serials. In 1989, Sunga was elected  officer of the Academy of Television Arts and Sciences.  For his commitment to diversity in television, an award in his honor was created and given yearly at the Media Access Awards. The Sungas are from Guagua, Pampanga. 

Two world-class film artists and technicians of Kapampangan descent are currently making waves in Hollywood.  Winston Quitasol, whose mother is from Pampanga, has worked on many known animated feature films like Disney’s “Big Hero 6”, where he was the senior lighting artist. He has also served as visual effects technical director and lead digital compositor in some blockbuster movies like “Ghost” (1990), his first movie project. Recent works include “SpiderMan 2”, “ Iron Man 3”, “300: Rise of an Empire” and “Frozen”.

On the other hand, animator Jess Española, from Lubao, made history when he was won the prestigious Emmy Award for his work on “The Simpsons” in 2008 ( ‘Eternal Moonshine of the Simpson Mind’ episode). The U.P. Fine Arts graduate overcame poverty (he was raised by a single mother), and working his way up, first, as an animator for Burbank Animation in Makati. He then joined Optifex which did the Hanna-Barbera cartoons (Flintstones, Scooby Doo, Jonny Quest) . Española did so well that he was sent to the U.S. mother studio in the U.S. which led to opportunities after the Manila offices downsized. Eventually, he moved to America, where Española worked at Film Roman for “King of the Hill,”, one of the primetime shows of Fox that also includes Matt Groening’s “The Simpsons”.

More recently, in the CBS TV sitcom “The Great Outdoors”, Kapampangans were treated to an episode in which the characters of actors Joel McHale and Stephen Fry,  spoke  in Kapampangan—albeit, with a thick American accent—so they could disguise their secret plan to leave young campers in the wild without their smartphones. The idea was conceived by story editor/ writer, Kristine Songco, who sought the help of her father in crafting the dialogues. The Songcos are a prominent family from Guagua.

While we have yet to see a Filipino actor conquer Hollywood with the same degree of success as China’s Anna May Wong and Jet Li;  Hong Kong’s Bruce Lee and Jackie Chan;  Japan’s George Takei and Pat Morita; Taiwan’s Ang Lee and Malaysia’s Michelle Yeoh, we are happy  to note that a few Kapampangan artists are leading the way towards the attainment  of their great Hollywood dream--always ready for anything--especially their close-ups!

Friday, September 23, 2016

*408. Comedy Through Word of Mouth: APENG DALDAL, San Luis, Pampanga

PUT YOUR MONEY WHERE YOUR MOUTH IS. Apeng Daldal (real name: Serafin Gabriel), left us in stitches with his distinctive oral features--and his gift of non-stop gabbing. Fan photo, 1967.

In the days of black and white TV, “Pinilakang Tabing” was a must-watch program every afternoon, for it afforded me to watch 50s’ and fairly-recent 60s movies without going to a theater.

I’ve always been partial to fantasy films, and I remember enjoying “Silveria”, “Anak ng Bulkan”, “The Magnificent Bakya” and Pomposa, Ang Kabayong Tsismosa”. 

 But the one that left the most impression was “Magic Bilao”, an improbable story about a “bilao” that functioned pretty much like a magic carpet, taking anyone who stands on the woven winnowing basket, on an unexpected, marvelous joyride.

 With Apeng Daldal as its reluctant high-flying passenger, the magic bilao helped solve a barrio crime, and saved the day for lovebirds, Dindo Fernando and Rosemarie.

To me, it was Apeng Daldal who stole the show, playing Rosemarie’s brother, Tonio—who, with his thin, gangly frame and mile-long teeth sticking out from his wide mouth, turned out to be the hero of the story. The comedian earned his screen name from his funny oral/dental features, which he used to the hilt by being a motormouth with a high-pitched voice.

 He was born as Serafin Gabriel in the town of San Luis, Pampanga on 12 October 1928. At an early age, he moved to Manila, and despite his skeletal built, found work as a Divisoria kargador. Of course, he didn’t last long, so he tried his hand at working in the bod-a-bil, from the 40s-50s. He had a comedy group called “Top Three” (along with Mar Lopez and Bebing Santos) which drew crowds at the Manila Opera House.

His stage success paved the way for a TV career, starting with the 1961 noontime show “The Big Show”, supporting Cris de Vera, Sylvia La Torre and Oscar Obligacion. Apeng Daldal’s gift of non-stop gabbing and witty ad-libbing had audiences laughing for more, and soon, he was being cast in movies.

His debut was in the Susan Roces starrer, “Libis ng Baryo” (1964), that was followed by appearances in "Bandong Pugante" and "Babaing Kidlat". Sampaguita Pictures gave him his break, third-billed in 1964 production “Magic Bilao” after Rosemarie and Dindo Fernando. The comedy-romance-fantasy formula was perfect for Apeng and the movie was the takilya buster for 1965. The same concept was used in his next flick,”Walis ni Tenteng”, that practically retained the previous stars with Blanca Gomez and Bert Leroy Jr. thrown in. Again, the movie about a skinny sweeper and his magic broom was another monster hit for Apeng.

 Apeng Daldal—now regarded in the same breadth as A-lister funnymen Chiquito and Dolphy, was rewarded with a lead role in “Maskulado”, (also in 1965), pitting his physique against the buffed leading man, Arnold Mendoza. He worked almost nonstop, completing film projects like “Tatlong Mabilis” (1965), “Mistiko Meets Mamaw” (1966), “The Pogi Dozen”(1967), ”The Son of Dyango Meets Dorango Kid” (1967) and another comedy-fantasy film, “Baticobra at Flying Salakot”(1974).

The final decades of his life were spent working in different capacities for TV, radio and films. The creative Apeng wrote scripts for various TV comedy shows like “Ayos Lang, Pare Ko” (1972) and penned the story for the film “Dobol Dribol” (1979). He was heard on radio singing novelty songs ( "Pandanggo ng Aswang", "Hoy Mamang Kaminero") , while headlining 70s-80s gag shows like “Super Laff-In”, “Trio Los Bobos” and “Cafeteria Aroma”. His last film was the Eddie Romero-directed action-fantasy, “Kamakalawa”with Christopher de Leon and Tetchie Agbayani, released in 1981.

Afflicted for years with emphysema, he passed away on 9 February 1992. He was survived by his wife Elma Modesto and 8 children. Watching Apeng Daldal’s old movies on youtube today, you can say this Kapampangan was born with a funny bone in his mouth.

SOURCES: 
My Idol Comedian, Apeng Daldal: http://video48.blogspot.com/2008/08/my-idol-comedian-apeng-daldal.html
Apeng Daldal, http://www.imdb.com

Monday, September 5, 2016

*405. LILIA DIZON: Kapampangan Bathaluman

BOMBSHELL BATHALUMAN. Lilia Dizon , who originated  'strong Filipino women roles' on the silver screen is of Kapampangan-American descent.

Today, Lilia Dizon is known as the mother of actors Christopher, Pinky and Lara Melissa de Leon. But she, too, had her time in the spotlight; she was also an actress of note, known for portraying strong bombshell beauties on the silver screen, a sharp departure from the 'pa-sweet' and demure Filipinas whose presence predominated local movies.

She was born in 1931 as Claire Strauss, the only child of German-Jew Abraham Strauss with Kapampangan Regina Dizon. Her father left the family for the U.S. in 1940, but then the war broke, preventing him from coming back. Claire was left with her mother in the Philippines to fend for themselves in Baguio.

At the height of the Liberation, she and her mother escaped the carnage of Baguio by walking all the way to La Union. From there, they proceeded to Manila to start life anew.  At age 15, Claire started performing at the Lotus Theater as a singer. The next year, she was discovered for the movies by writer-director Susana de Guzman--and became known to a legion of movie fans as Lilia Dizon.

Her first lead role was in the 1948 film, “Kaaway ng Babae,” where she had to act like a man in a very physical role that required a lot of running, At 17, she married director and actor Gil de Leon, sixteen years her senior. She made her mark portraying strong women roles in movies like “Sandra Wong,” “Kandilerong Pilak” (Asia’s Best Actress award in 1954), and "Bathaluman” with Mario Montenegro, a role that showed her Juno-esque figure at its most beautiful.

After her 18 year-marriage ended, Lilia left for the U.S. in 1966 to join her father in California and acquired her American citizenship. She made amends with Gil before he died, and after his demise, Lilia married Antonio Abad, a match that produced 2 more children, Antoinette and Corrie.

She would resurface in 1974 to appear with son Christopher in the award-winning Brocka film, “Tinimbang Ka Ngunit Kulang” which would catapult her son to fame. She could not re-establish her career though, as her two young children left behind in the U.S. needed her care. Now divorced, the tough Kapampangan bombshell of the 50s is back to being Claire Strauss and is a doting grandma to fifteen grandchildren.